Battle of Hastings Assembly or Class Play This script was written by Sue Russell in celebration of The Battle of Hastings' 950th anniversary. What have the most famous cartoon strip in history, a masterpiece of needlework, a distinctly odd bishop, some dodgy family connections, warring Anglo Saxons and Normans, and an arrow in the eye have in common? Correct! They're all part of that famous drama - you know the one, 1066 and all that?! Cast of 30 - easily adapted up or down Duration around 10 - 15 minutes (not including music) Sample Text: Embroiderer 2: Hours and hours of needle in, needle out! Embroiderer 3: (Sarcastically) Wow! Life can’t, surely, get much more exciting than this! Bishop of Bayeux: O dear, dear, dear, dear! I can see something drastic needs to happen round here! How are we going to get you excited about your work? (Enter Edward) Edward: Easy! Let’s just introduce them to some of the characters they are working on! Let them see what we were actually like in the flesh! Bishop of Bayeux: Ah! A splendid idea! And you are? Edward: King Edward the III of England or Edward the Confessor! I’m (Edward walks along work of six Embroiderers, peering down, trying to see himself; he stops abruptly at Embroiderer 4) Edward: Ah yes! Here I am! Dying! Bishop of Bayeux: (Sarcastically) Oh wonderful! Well, that really livens things up for us! Thank you so much! Edward: Oh dear! I didn’t mean to put a dampener on things! (Edward goes back to the line of Embroiderers and this time stops at Embroiderer 1) Edward: Ah now, that’s better! That’s when I’m still king! Alive and kicking! (Edward falls about laughing at his own joke) (Whole cast groans) Bishop of Bayeux: (Aside) Oh dear! I think I preferred him dead!

Early Colonial Times Class Play or Guided Reading Scripts What could be worse than working all day on your play scripts - and then up all night getting an earful from your characters - telling you what you should have written? Those early colonists certainly weren't reluctant to share their views - especially if that entailed telling their creator his lines were rubbish! The only way to shut these good folk up was to let them have their say - however long it took - even if their idea of setting the record straight was strictly off the record! And so we have 5 sleepless nights -a mild form of torture for our poor playwright but great for us - learning all about: 1. Colonial homes 2. Weaving and spinning 3. Candle and soap making 4. Recreation 5. Religion (including education and punishment) This Reader's Theater Class Play can be read either as a class of 30 or 25, in groups of 6 speakers; or just by a group (of 6), keeping the same characters throughout. Sample Text 1.Colonial Homes Speakers: Playwright Mother Mrs. Smith Father Mr. Smith Son Adam (10 years old) Daughter Abigail (8 years old) Grandma Granny Mrs. Smith: (Sighing) Ah! It doesn't seem like yesterday that you were in those long petticoats! Adam: (Hissing) Mother, please! Granny: Oh let her be, Adam. Us mums always like reminiscing! Mr. Smith: Though you seem to conveniently forget all that howling that came with having babies around! Abigail: (Snorting) Just exercising our lungs! Adam: That's right! Us babies weren't meant to feel any pain! Granny: And so you got ignored! Quite right too! Adam: (Sarcastically) Oh Granny, you're all heart! Granny: Well, you had your ‘puddings'! Playwright: (Yawning) I thought we'd covered meal times! Mrs Smith: (Snorting) So much for thorough historical research! No, she means the padded caps babies wore to protect their heads. And they certainly needed protecting, the amount of falling over they did! Playwright: So why did you dress them up in those ridiculous long gowns? How were they ever meant to crawl about in those things?

Events Leading up to the American War of Independence Class Play This Class Play, on the Events Leading up to the American War of Independence, based on a class of 30, is divided up into THREE sections, with parts allocated as follows: 1. Half the class allocated parts for the first section (Boston Massacre - 15 speakers) 2. Half the class allocated parts for the second section (Boston Tea Party - 15 speakers) 3. The whole class given a final set of parts for the third (Lexington and Concord - 30 speakers) Redcoat Rap is included with this script as an optional extra - to be recited at the beginning or end of this play. Suitable for upper elementary/middle schools. Sample Text (Child walks across stage with The Boston Massacre March 5th 1770 banner) Narrator: It was the night of March 5th 1770. Private Hugh White was on guard duty outside the Custom House in Boston. He was soon joined by a group of jeering boys who didn't seem to mind the extreme cold. (Enter Boys 1, 2, 3 and 4 taunting guard on duty, Private Hugh White) Boy 1: Just look at him, waltzing up and down, in his fine uniform! Boy 2: Anyone would think he had nothing better to do! White: I suggest you find something better to do! Be off! Boy 3: Ooh! Is that a threat, Mr. Lobsterback? White: You mind your tongue, young man, or .. Boy 4: Or what, Mr. Redcoat? Or what? White: Don't push your luck, sonny! Boy 1: What you gonna do? Boy 2: You wouldn't go firing on innocent civilians now, would you? Boy 3: That sure would get you into heaps of trouble. Boy 4: Us being mere boys Boy 1: And unarmed. So, looks like you're stuck! White: I wouldn't bet on it. You come another step nearer and you'll be sorry. Boy 2: He's bluffing! White: You reckon?

The Mayflower Set of Guided Reading Scripts or Class Play Includes Poem – The Mayflower – written by Sue Russell From Scrooby, to Amsterdam, to Leyden, to Plymouth in the ‘New World' - hardly the most direct route those Pilgrims could have taken (did they not have Satellite Navigation Systems in those days?!)And it was hardly ‘plain sailing' all the way when they got there - disease, harsh environment, terrible weather - certainly a disappointment for anyone out for a holiday! But after such unpromising beginnings, great things developed -including friendship with the locals, defying all fears previously harbored; and a great Thanksgiving tradition born (minus the turkeys and cranberries - let's try to stick to the facts here!) This Class Play, written to Readers Theater format, is written in 5 parts: 1. Background 2. Mayflower Voyage 3. First Sight of Land 4. First Winter and Spring 5. First Thanksgiving with 6 speakers for each part. The play can be used either within the classroom, reading out loud in groups of 6; or as a ‘performance' with the optional inclusion of music and a ‘Mayflower Song'. Sample Text 1.Background Speakers: Narrator William Brewster (Became religious leader of Plymouth settlement) William Bradford (Became second governor of settlement - for 36 years) Dorothy Bradford (Wife of William) Richard Clyfton (Preacher - stayed in Amsterdam) John Robinson (Teacher - stayed at Leyden) Narrator: Our story begins in the year 1606 - in the tiny English village of Scrooby. Dorothy: Are you men still sitting around talking? Bradford: Indeed we are! Robinson: We have so much to discuss, before we depart these fair shores - for Holland. Dorothy: Are you sure it is necessary for us to make this move? Clyfton: If it wasn't, we certainly wouldn't be doing it. Dorothy: I mean, all that upheaval and disruption to our lives and our children's .. Brewster: We understand just how you feel. But we have no choice. Bradford: If we stay here we will continue to be persecuted Clyfton: And for what? What is our crime? Robinson: Only that of wanting a simpler form of worship Clyfton: One that doesn't require there to be a priest between us and God. Extract from ‘Mayflower Song' (set to Bobby Shafto tune) Just the Mayflower fit to sail Things went fine until that gale Then directions them did fail And sent them too far northward.

Roald Dahl School Assembly or Class Play Cast size: The small speaking cast of 6 can be increased to include the whole class by adding a supporting cast of characters taken from the five books. September 13th is Roald Dahl Day – this year it is also his centenary. To celebrate this great writer, I, Sue Russell have written an Assembly which attempts to capture just some of the man's genius. It is just a short assembly, looking at 5 of his works - The Magic Finger, BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts; but in looking at these books again, I for one was reminded of Dahl's amazing ability to create the most bizarre characters, and situations .. out of nothing. He was, I think, a genius and his memory stays vividly alive through his numerous brilliant books. The play has a small speaking cast - teacher (narrator) plus 5 students, who are asked to pick their favourite author (Roald Dahl - no surprises there!) and favourite books. These are The Magic Finger, The BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts. The supporting cast i.e. characters taken from these books, is left to the teacher's discretion i.e. depending on how many children there are in the class. Different 'favourites' could obviously be chosen and added to the ones 'my five' chose; and I have similarly left out extracts from the books, plus musical excerpts from the movies which could be added. This assembly can thus be expanded upon in a way to suit the individual class and their Dahl preferences. I hope I have provided a good starting point! If you are interested in looking at more great writers from Britain, I have written a Great British Writers Assembly which, along with Dahl, features the works of C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling. A good resource to have during National Children's Book Week, 1-7 October. Extract Lucy: The Giraffe, the Pelly and Me. Teacher: And why did you choose that one? Lucy: I loved the animal characters in it, including the monkey who isn't mentioned in the title! The three of them - the giraffe, the pelican and the monkey - make up a window cleaning gang, the giraffe acting as a ladder because of his magically long neck; the pelican acting as the bucket, with his special ‘Patented beak' and the monkey acting as the cleaner.

Eurovision Song Contest Assembly or Class Play updated to 2018 Maybe this year – a few more points for Grande Bretagne?! It's that time of year again! Get ready for the funniest show on earth! (Does anyone really take it seriously?!) This assembly gives a quick chronological run through past winners ... and losers! How can, for example, the UK get it so right ... and yet so desperately wrong! A light hearted coverage of all UK winning songs (and runners up) plus such greats as Abba. The song list is memorable - for all the right reasons! Cast size 30 - easily adaptable up or down. Duration: 15 - 30 minutes (depending on number of songs chosen) Sample Text Music 8 Waterloo – Abba (Whole cast plus ‘Abba representative sings song) Narrator: Wow! What a hit that was! It certainly launched Abba into a glittering rock career! Rock Star (‘Cliff’) (Grumbling) And as if it wasn’t bad enough - our beautiful Olivia Newton John being pipped to the post. Then it happens again the following year – this time to my mates The Shadows! Music 9 Let Me Be the One – The Shadows (Whole cast singing brief excerpt from song) (Judge charging back onto stage) Narrator: (Testily) You again! Judge: But they didn’t win! I thought this line up was meant to be just for winners! Narrator: (Outraged) What? And miss some of the best music? Never! (Turning to cast) Are we agreed? Whole Cast: (Blowing kisses at Narrator) Oh yes! Peace and happiness! We love you! Music 10 Save Your Kisses for Me – Brotherhood of Man (Whole cast plus Narrator sing this song) Narrator: (Sighing) Ah! 1976! Another great win for the United Kingdom!

Great Artists Assembly or Class Play - Key Stage I Bruegel and Lowry Script Cast Size - 30 - easily adaptable up or down Duration - around 10 - 15 minutes depending on time spent on children's own artwork. (There is a section of the script dedicated to children showing and describing their own work - this section can be omitted thus reducing duration to around 5 - 10 minutes) Sample Script Bruegel: Oh well! Let me tell you now! I had to disguise myself as a peasant Child 12: Why? Bruegel: Oh so that I could see what it was like …. being a peasant! Child 13: And what was it like – being a peasant? Bruegel: Well, I try to show that in my paintings. Teacher: You see, children. Up to this time, only kings and queens and people with lots of money were painted. Narrator: Lucky for us Bruegel came along – and showed us how the poor people lived! (Bruegel goes back to work at his easel) (Lowry looks up from his work, and stands up) Lowry: So did I! Narrator: Pardon? Lowry: I also showed what it was like to be a worker! (Narrator walks over and holds up Lowry painting, to show cast and audience) Child 14: (To Teacher) That’s like the pictures you showed us, Miss! Teacher: Quite so! Child 15: They show us how people lived in the industrial cities of England. Child 16: Smoking factories Child 17: Long streets Child 18: Long people! Narrator: Pardon? Child 19: Oh, he means – the people look a bit like matchstick men! Lowry: (Laughing) That was my style! This script is one of the Famous People Series based on the lives of significant individuals in the past who have contributed to national and international achievements, comparing aspects of life in different periods. This list of ‘greats’ includes: · Queens - Elizabeth I and Victoria · Explorers - Christopher Columbus and Neil Armstrong · Inventors - William Caxton and Tim Berners-Lee · Women: (i) In Civil Rights - Rosa Parks and Emily Davison (ii) Nurses - Florence Nightingale, Mary Seacole and Edith Cavell. I am happy to write on alternative individuals as per my 'write on request' service - so please drop me a line on sue@plays-r-ussell.com

Teeth and Eating Assembly or Class Play Years 3 & 4 This is one of three scripts written on ‘The Body’. The other two are: The Skeleton and Muscles Assembly - Years 3 & 4 & Healthy Living Assembly - Years 5 & 6 Cast of 30 - easily adaptable up or down. Duration - around 20 minutes including music choices. Once again, our narrator has his/her work cut out, vying with a dentist, a ‘super athlete’, a ‘Sweet Gang’ and of course … a whole crowd of chattering teeth! Sample Script: Narrator: Good morning and welcome to our assembly on (Sound of dentist’s drill) (Narrator walks over to dentist, standing over patient, with drill in hand) Narrator: (Shouting) Er, excuse me! (Drilling stops and dentist looks round towards narrator) Dentist: (Angrily) Yes! Did you want something? Surely you can see I’m rather busy here! Narrator: (Huffily) I’m sure you are! But so am I! I happen to be trying to hold an assembly this morning and, well, I just can’t do that with you drilling! Patient: (Leaping off chair) Oh that’s fine! I can always come back another day! (Dentist places patient firmly back in the chair) Dentist: Oh no you don’t! You are not going anywhere – not until I have finished! (To narrator) Now, if you don’t mind (Dentist picks up drill and moves towards patient) Narrator: No! Stop! (Dentist stops) Narrator: I can give you a very good reason why you should stop what you are doing. Well, for a short time, anyway. Dentist: Oh yes? Well, come on, then. This had better be good. Narrator: Well, wouldn’t you agree that prevention is better than cure? Dentist: You mean, looking after your teeth rather than me fixing them? Narrator: Correct! And our job here this morning is to educate everyone about just that! Dentist: Ah! Now you’re talking! (To Patient) You might want to listen to this. It could save you future trips to my surgery!

Healthy Living Assembly or Class Play This script was written as a complementary script to two others already written - Skeleton & Muscles Assembly and Teeth and Eating Assembly. These two were written for Years 3 & 4. This one is for Years 5 & 6. Subjects covered: recap on all major organs, importance of good diet and regular exercise. There is also mention of what is not good for you. Mental health is mentioned at the end of this script - as it is stressed throughout that it’s not just about ‘looking good’ - feeling good is equally important. Cast of 30 - easily adaptable up or down Duration: 10 minutes without any music; but lots of opportunity for expansion should a longer performance be required. This is explained in the Production Notes (namely, adding detail on ‘organ functions’ and different types of food); and the two scripts mentioned above could, with their purchase, also be used as ‘add ons’. Sample Text: Narrator: Ah yes! What makes a healthy body? Now, there’s a question! Child 1: Good diet! Child 2: Plenty of exercise! Narrator: Sounds simple enough! (Bracing muscles) No wonder I feel so good! (Enter Model, Athlete, Weight Trainer, Dancer and Walker – all ‘doing their thing’) Narrator: Just look at those bodies – all so toned! (Exit Model, Athlete, Weight Trainer, Dancer and Walker) (Narrator looks startled) Narrator: Oh wait a minute! I thought we were going to hear a bit more about that all-important exercise? (Enter doctor) Doctor: We will! All in good time! But first we should look at what’s on the inside! It isn’t just about having perfect body shape, on the outside, you know! Narrator: (Sheepishly) Oh I know that! Huh! I’m not one to be taken in by appearances! Doctor: I’m glad to hear it because outer beauty is by no means the whole story. It’s about feeling good as well! (Enter Brain) Brain: Oh, that’s way more important than anything else. If you don’t feel good, then forget it! Well, actually, on second thoughts, don’t do that because Narrator: (Coughing) Ahem! Excuse me. I hate to interrupt you but … you are? Brain: Oh sorry! Did I not introduce myself? Well, you see there is a reason Doctor: (Holding his hand up for Brain to stop) Oh dear. This is the first of the body’s internal organs Brain: (Interrupting; and tapping head) Indeed! Starting from the top! Narrator: (Irritably) Could you just tell us your name? Brain: Tell you my name? Well, of course, my dear fellow. I’m Brain! I’m the one in charge! Narrator: (Hurriedly) Oh I don’t think so! Not today, anyway!

Robots Assembly When is a human not a human? When is a robot not a robot? Our unsuspecting Narrator is just about to find out the hard way! As are those androids - when having a sense of humour is not enough! Cast size: 30 (easily adjustable up or down) Duration: around 20 minutes (depending on amount of music used) Sample Text 1: Music 1 – I Can Transform Ya – Chris Brown (Children file in, sitting down in two rows of fifteen, facing the audience) Narrator: Good morning and I am happy to introduce you to my magnificent cast (Narrator gestures to cast to rise) (Whole cast rises to its feet) Whole Cast: (Robotically) Good morning! ... Very pleased to meet you! (Narrator gestures to cast to sit) (Whole cast sits down) Narrator: What a well-behaved lot! (Aside to audience) I can see I’m going to enjoy this particular assembly … (pointing to cast) … on robots, in case you hadn’t guessed. Sure beats my usual task of directing noisy, badly behaved children! Sample Text 2: Group III: (Together) How did you guess? Narrator: Oh, when you’ve been around children as long as I have, you come to know them pretty well. Child 7: But they’re human aren’t they? Narrator: Hmm. Now, there’s a question! Child 8: But, they laugh and cry, don’t they? Child 9: Weren’t we convincing enough? Child 10: We laughed at all the jokes Child 11: We even laughed in all the right places! Child 12: We cried during that soppy song Child 13: Real tears! Child 14: We showed all the emotions you humans go on about! Child 15: So where did we go wrong? Child 1: I think we can answer that. Child 2: No human child, with half a brain, would find those particular jokes funny! Child 3: Truly lame is what they were!

If by Rudyard Kipling Assembly or Class Play Cast of 30 - easily adaptable up or down. Duration - around 10 minutes not including music suggestions. Unlikely as this may seem but this classic poem by Rudyard Kipling manages to bring together 20 readers and 8 rappers - along with one somewhat incredulous Narrator and poet! This assembly includes both original material and ... well, who can argue that the rappers aren't themselves a pretty original lot - to say nothing of the material they produce! If the language of the original If seems a little dated now, take heart from what can still be gleaned from it, in the right enthusiastic hands! Sample Text Rapper 4: So I think it’s fair to say Rapper 5: It’s all a bit iffy! (All rappers laugh) Narrator: Now, now people! A little respect for our great poet here, if you please! Rapper 6: Oh! Absolutely no disrespect intended, bro! Rapper 7: No, we were just making the point that none of what we are about to say is a given! Narrator: Pardon? Rapper 8: It’s all about making your own choices. Rapper 1: Nobody can make you good! Rapper 2: That has to come from you! Rapper 3: And that’s not always easy! Rapper 4: Take that first couple of lines (Narrator points to Reader 1) Reader 1: If you can keep your head when all about you Are losing theirs and blaming it on you Rapper 4: Sound familiar? Rapper 5: In this crazy world where everything has to be ‘now’, how many people do you know who can stay calm under pressure? Other poems converted into plays by Sue Russell: • Smugglers Song – Rudyard Kipling • The Highwayman – Alfred Noyes Also available – a large collection of alternative Shakespeare and fairy tale scripts plus • Take a Book – Different Genres of Writing Assembly • Great British Writers Assembly. This short small cast assembly - 6 speakers (with adaptations for whole class) focuses on the writers *Roald Dahl, C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling and their books. • Roald Dahl Assembly

Midsummer Night’s Dream Assembly or Class Play This version of A Midsummer Night's Dream is directed, as a school assembly, by William Shakespeare's own son, Hamnet. Written for cast of 16-30, running time approx. 40 minutes, this play follows the original plot, but has some interesting twists along the way. And as if four confused lovers isn't enough to contend with on stage plus some very non-cooperative fairies - our poor director, Hamnet also has his playwright father to deal with! Sample Text Helena: You are teasing me! You still love Hermia! Lysander: How can you say such a thing? How I do repent, the tedious minutes I with her have spent! Helena: Lysander! This is not the time for bad poetry! Stop your teasing now! Lysander: But why would I not change a raven for a dove? Please, Helena! Come with me now! Let us leave hideous Hermia! Believe me (looking over at the snorting Hermia), you'd be doing me a big favor! Helena: (Sarcastically) So romantic! Men! Who'd have them? (Helena storms off) Lysander: Hmm. I can see I may need another trip to that Charm School! (Turning to Hermia) I've hung around with this one quite long enough. What did I ever see in her? What a sight! I'm off to honor Helena and to be her knight! (Exit) (Hermia wakes, screaming, from a nightmare) Hermia: Lysander! Help me! My worst nightmare ... (Frantically searching through suitcase) Please don't say I've left my make-up bag behind? Other Shakespeare scripts written by Sue Russell: Assemblies: • Macbeth • Different Midsummer Night’s Dream alternative ‘Nightmare’ versions! • Romeo & Juliet – Valentines Assembly • Romeo & Juliet in Love … Well, weren’t they? Guided Reading scripts: • Shakespeare Plays (8 mini condensed versions) • Set of 4 alternative Shakespeare scripts - Hamlet, Macbeth, Midsummer Night's Dream and Romeo & Juliet (incl. detailed synopses and lesson plans) • Alternative Hamlet script plus lesson plan • Alternative Macbeth script plus lesson plan • Alternative Midsummer Night's Dream script plus lesson plan • Alternative Romeo & Juliet script plus lesson plan Alternative fairy tales – Cinderella and Sleeping Beauty – which are in the PSHE section of the website. Plus • Take a Book – Different Genres of Writing Assembly • Great British Writers Assembly. This short small cast assembly - 6 speakers (with adaptations for whole class) focuses on the writers *Roald Dahl, C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling and their books. • Roald Dahl Assembly

Second World War School Assembly or Class Play What was the Blitz? What was it like to be an evacuee? What did Morrisons have to do with bomb shelters? Why did Americans call the first 6 months the ‘phoney war’? (Also available, set of 5 guided reading play scripts, with quizzes - Background/Beginnings of War, The Course of the War, Evacuation, the Blitz and War-time Life/Rationing; plus a collection of First World War scripts - Remembrance Day Assembly, First World War Assembly and First World War Poets Assembly) SAMPLE TEXT Second World War or World War II Assembly Evacuee 5: I was lucky. Although I got separated from my brother, I was looked after by a very kind couple .. and didn’t want to go back to the grimy old city I’d left. Evacuee 1:I was so home sick. But my Mum said she could only visit once a month. Evacuee 2: I wanted to go home too. But it was for our own safety. (All walk off. Sound of bombs and air raid siren. Air Raid Warden rushes on). Warden: (grabbing child): Quick! It’s an air raid! If you’re not quick, you’re dead! Get yourself into a shelter now! Narrator: Yes, once those sirens went on, you really didn’t want to be out in the open. Best be (pointing at 2 adults and 2 children under table) snuggled together, indoors, under your Morrisons Shelter. Mum (brandishing Morrisons bag). Two for one, this week only! ________________________________________ TEACHING ‘COVERAGE’ 6. Unit 9 Second World War Assembly (i) Whose was to blame? (ii) Timeline: 1914 – 1945 - Origins in First World War - Chamberlain’s Appeasement Policy - Fates of different countries - Battle of Britain - Blitz - V.E. Day - Hiroshima/Nagasaki - V.J. Day (iii) Who was involved (location on map) (iv) Evacuees (v) Air Raids/Shelters (vi) Recreation (vii) Rationing (viii) Role of Army, RAF and Navy (ix) Women’s role (x) Anne Frank (xi) Remembrance Sunday (In Flanders Fields) (xii) Today’s World Situation (United Nations) (xiii) Lessons learnt. MUSIC 1. Land of Hope and Glory 2. Run rabbit, run rabbit, run run run 3. Dad's Army theme 4. Pack up your troubles 5. Imagine -John Lennon

Baghdad Early Islamic Civilization Assembly Cast size: 30 - easily adaptable up or down as, besides the Narrator, the speaking parts are just numbered 1 - 29. Duration: Around 15 minutes reading time (not including music suggestions) This assembly is intended as a celebration of learning and toleration. And it is to this end that the focus is on the work of the individual scholars, working in unison in Baghdad, during this Golden Age. Included is a brief comparison of ‘East and West’– comparing London and Baghdad. Also available from Sue Russell: • Baghdad Early Islamic Civilisation Guided Reading Scripts 5 scripts, 6 speakers each, plus quiz for each script. Approximately 5 minutes reading time for each (not including the quiz) 1. When? 2. Where? 3. The Story of Muhammed 4. Beliefs of Islam 5. World Religions And • An Assembly on Islam which tells the story of Muhammed and gives a brief outline of Islamic beliefs Sample Text: Music 1 Golden Years – David Bowie; or Imagine – John Lennon (Children file in, taking places along two rows of 15, facing the audience) Narrator: Good morning and welcome to our assembly on Whole cast: (Together) Baghdad and Early Islamic Civilisation (Child 1, 2 and 3 stand up with 3 banners: Golden Age, Learning and Tolerance) Narrator: Aha! And when was this Golden Age? Child 1: It was between the seventh and thirteenth centuries. That is, around six to twelve hundred A.D. Narrator: That’s a long time (looking towards Child 2 and 3) to be learned and tolerant! Child 4: Oh. You’d be surprised what mankind is capable of when the conditions are right! Narrator: (Looking at cast) Well. I think we need to find out what these ‘conditions’ were, don’t you? (Narrator ushers Child 2 and 3 with banners Learning and Tolerance to front of ‘stage’) After all, aren’t Learning (Child 2 waves banner) And Tolerance Child 3 waves banner) Two of the most important ingredients to a happy and stable society? Child 4: And a happy and stable school! Child 5: Yes, we (gesturing to cast) have all learned a huge amount about the importance of Learning and Tolerance Child 6: Just by doing this assembly! Narrator: How so? Child 7: Well, we’ve learned all about this amazing civilisation that we knew nothing about before Child 8: And we’ve learned how it actually was, and is, possible to work together for the greater good.

Anglo-Saxon School Assembly or Class Play Cast Size - 30 - easily adapted up or down. Approximate duration: Around 15 to 20 minutes. Ever wondered about the origins of your birth place? Why is it something-ton and not something-ham? Or why archaeologists get so excited over some old clay pots …or nails? Also available set of 5 guided reading play scripts plus quizzes - Introduction, Anglo-Saxon Life, Sutton Hoo Discovery, Beowulf, and Arthur and the Knights of the Round Table SAMPLE TEXT Arch 1: Look at this! Phosphate remains. That means there must have been a body here when the ship was buried…so this was actually a grave! Arch 2: And with all this treasure we’ve found, the person buried here must have been important! 4. GHOSTBUSTERS THEME MUSIC (Ghosthunters team rush on, searching for ghost) Narrator: Wait a minute! Wait a minute! Who called you lot? Ghosthunter 1: Haven’t you heard? There’s a ghost on the loose! Goes by the name of Raewald, King of East Anglia. Died about 625 AD but forgot to take his Kwells (holds up packet of sea sickness tablets) before being buried with his ship. Ghosthunter 2: Yes, it’s all very fine having all this gold and silver …but not much good to you if you’re prone to a bit of the ol’ sea sickness. Ghosthunter 3: We’re here to give him his tablets so he can at last …Rest In Peace. Narrator: Could I suggest you’d stand a better chance of catching this sea-sick ghost if you were a little quieter (beckoning them all off stage). Wait here! TEACHING ‘COVERAGE’ Unit 6B Anglo-Saxon Assembly (i) Where Anglo-Saxons came from (ii) Timeline: 410 AD – 1066 (iii) Alfred the Great (iv) Runic’ alphabet (v) Origins of our days of the week (vi) Place names – Anglo Saxon origins (vii) Living conditions (viii) Sutton Hoo: archaeological finds and background

Dinosaurs Rock Assembly or Class Play Ever wondered which dinosaur was the *biggest, the smallest, the most heavily armoured, the brightest, the fastest, the deadliest, the weirdest ..... Read on and find out! Cast of 30 - easily adaptable up or down Duration - around 10 minutes not including music Also available, set of guided reading dinosaur scripts Sample Text Music 2 - We Will Rock You - Queen (Enter Seismosaurus, Mamenchisaurus, Giganotosaurus, Spinosaurus, and Carcharodontosaurus) (Everyone shaking in seats) Narrator: What's happening? Is it an earthquake? Seismosaurus: Sorry! That would be me! I'll try not to move - all 120 feet of me! They don't call me ‘earth-shaking lizard' for nothing! Mamenchisaurus: But when you've got necks as long as us, you really don't need to move that far! My neck alone was 46 feet long! Gigantosaurus: And I, Gigantosaurus, was the daddy of the meat-eaters! All 8,000 kilograms of me! Carcharondontaurus: And I sure had a mean pair of ‘choppers' - no prizes for guessing where my name ‘shark-tooth lizard' came from! Spinosaurus: Well, take a look at my jaws! I, Spinosaurus, was called spiny lizard because of these spines on my back, but nobody was going to argue with these (snapping crocodile-like jaws, open and shut) For optional poetry addition see The Dinosaurs That Time Forgot by David Harmer and Paul Cookson. Writer, Sue Russell, has included information from recent discovery of 'the largest' as per Telegraph article "Giant of giants rises from the desert" May 18 2014

Seaside Assembly Key Stage I - based on Unit 4 Geography: Going to the Seaside and *Unit 3 History: What were seaside holidays like in the past? Cast of 30: Teacher, Class plus 'helpers' - in case of Grandpa Brown, not entirely clear who is helping who! Duration: Around 15 - 20 minutes including music suggestions. This assembly takes us from the classroom, onto the coach, to the seaside - and back again! Granny and Grandpa Brown provide us with some insights into 'trips to the seaside in their time'. And there is the usual smattering of great songs ... and extremely bad jokes! If you're planning a trip to the seaside, jump on board this one for some useful tips! Sample Text: Child 17 (boy): Sharks! (Some of the girls start screaming) Teacher: Stop! Enough, boys! (To girls) They’re just teasing! Nothing for you to worry about! And you won’t be going anywhere near the sea anyway. Why is that? Child 18: Coz it’s too cold, this time of year, Sir? Child 19: Coz you forgot your swimming trunks, Sir? Teacher: (Impatiently) No, no. Nothing like that! Think ‘safety’, children! Child 20: There could be nasty strong currents, sir! Grandpa Brown: Currants? Mmm! And raisins? Oh, yes please. I am feeling a little peckish! Teacher: (Clutching head in exasperation) No, currents as in moving water! (To Child 20) You’re right! We have to be careful not to go in the water Child 21: Because of sharks? (Girls start screaming again) Teacher: No, no, no! No sharks! We’ll be staying on the beach

India Assembly Cast of 30 - easily adaptable up or down Duration - minimum 10 minutes reading time - this, as explained in Production Notes, could be increased to 30 minutes plus The cast (should that be caste?!) of this Indian Assembly or Class Play is anything but equal with the appearance of three gods - two with 4 arms and the other with 4 heads - which one is the narrator supposed to address? Just one of the many problems facing our narrator - the main one being sheer volume of music, colour, joy and .. well everything that makes India such a vibrant country! Sample Text: Music 2 (Shiva dances across ‘the stage’) (Narrator tries to stop him but is confused by the number of arms – four) Narrator: Er, em, excuse me … but who are you and what are you doing? Shiva: What am I doing? Isn’t it obvious? I’m dancing, of course! Narrator: Well, I think we can all see that. But who are you? Shiva: (Exploding) Who am I? Who am I? Narrator: Well, if you put it like that – yes, who are you? (Whole cast gasps in horror) (Child 7 goes over to Narrator) Child 7: (Aside) Surely you know who this is? Narrator: (Irritably) Well, do you really think I’d be asking if I did? Child 7: It’s Shiva – the Destroyer! (Narrator gasps) Narrator: Oh no! Not that god with the power of life and death? Child 7: That’s the one! Narrator: (To Shiva) Oh I am most dreadfully sorry! I had no idea that it was you, Shiva! Shiva: Oh I’ll forgive you! I guess I do look (waving arms around) pretty ‘armless! Narrator: Well, I wouldn’t say that! I mean, I think I counted … four arms? Shiva: Oh that’s nothing! When you compare it with number of names I have! Narrator: And they are? (Holds up fingers to start counting on) Now, let’s see. Starting with Shiva … Shiva: Er, I don’t think we have time to run through the others – there are over one thousand of them! This is one of several assemblies written by Sue Russell on different countries. Others include England, Scotland, Wales, Great Britain, Holland, Australia, France, Spain, Malta and India plus ‘Around the World in 20 Minutes’. Other Indian scripts: Divali and the Story of Rama & Sita (as a play within a play - a little like Midsummer Night’s Dream!) plus scripts on Gandhi and on the Indus Valley Civilisation.

Africa Assembly This African Class Play covers North, South, East, West and Central Africa Cast of 30 - easily adaptable up or down Duration - 15 minutes without inclusion of music (playlist of 14 wonderful songs - this could double length of performance!) With so much extraordinary wildlife, is there going to be any time left for just a mention of man's part in this vast continent?! Our trusty narrator will, as always, make sure this happens - striving as always to keep his cast members under control! He does, however, have his work cut out for him with this one - keen safari members, intrepid expeditionaries, dancing tribesmen, and Ancient Egyptians … all proving more than a match for the wildlife?! Sample Text Narrator: (Aside to audience) Phew! At least we were spared the music this time Music 13 In the Jungle the Mighty Jungle – Lion King (opening lines) Narrator: Oh no! I spoke too soon! Stop! You know what we need around here? A piece of real drama! (Narrator beckons to Children 25-29 and after a quick ‘conversation’, children line up and address the audience) Child 25: We would like to perform for you a brief African Adventure. Child 26: Starring me, the great explorer David Livingstone Child 27: And me, the equally great Henry Stanley. Child 26: Er, wait a minute! Who said anything about being equally great? I was the explorer, remember? You just found me! Child 27: Huh! Famous undoubtedly only because everyone remembers my words ‘Doctor Livingstone, I presume.’! My men and I (Cheers from Child 28 & 29) We went on to take part in the biggest African expedition ever. Child 28: (Wiping his/her brow) Phew! It’s a bit hot for me, under this blazing African sun! (Loud grunt/growl) Child 28: (Screaming) Help! What was that? Child 29: Maybe one of those fierce African tribes we’ve heard so much about! Both: Run! Child 28: Livingstone can stick his expedition! Child 29: We’re off home! This is one of several assemblies written by Sue Russell on different countries. Others include England, Scotland, Wales, Great Britain, Holland, Australia, France, Spain, Malta and India plus ‘Around the World in 20 Minutes’.

Australian Assembly In celebration of Australia Day - joint narration by Pom and Swagman - an interesting mix of language and culture! tapping into this great country's history, geography and culture. Cast Size 24 but easily adjustable up or down (information can be split up between several more children taking cast size to 30) Duration Around 10 minutes reading time – this does not include music suggestions and ‘song performances’ Following is a review from publisher contact: A short play giving a lot of information about the land down under: some history, some wildlife, some music and some facts and figures to round it all out. This is another well-presented assembly from Sue Russell. There is the usual large cast size to accommodate a class group, with the many, small parts offset by having the two main characters who are onstage for the majority of the production. There are regular musical interludes to add interest, and any passages that contain recitation of facts, figures or histories are balanced by changing the speakers or having the characters react – I particularly liked the Swagman complaining there was too much dry information. To conclude: a bright, fast overview of a big, big country and a good introduction to a school topic. Sample Text Narrator: Good morning and welcome to our assembly on Australia. (Swagman strolls nonchalantly onto stage, looking around and ‘sizing' everyone up, before going over to Narrator, who is eyeing him cautiously) Swagman: G'day, mate! So what's all this about? Narrator: (Politely) Begging your pardon .. Swagman: (Interrupting) Ah! A Pom! Now how did I guess? Narrator: (Defensively) Something to do with me speaking the Queen's English? And as one of her loyal servants Swagman: (Interrupting) Don't tell me! You're gonna tell all these good folks about life ‘Down Under'? Well, allow me to help out a little. (Turning to Cast) What says you to us livening things up a little around here? (Whole cast nods enthusiastically, relaxing former ‘standing on ceremony' posture) (Swagman walks over to CD player and turns on ‘Down Under' - chorus, children singing and dancing, whilst Narrator looks on in horror) Music 2 - Down Under by Men at Work Narrator: (To Cast) Cut! (To Swagman, irately) Hey! Just what do you think you are doing? I'm in charge here! Swagman: No worries, mate! No need to chuck a wobbly! I was only trying to help. (Pointing to Cast) These guys and Sheilas just looked like they'd enjoy a little taste of the real Oz. Narrator: What? As delivered by a .. by a ... Swagman: Swagman, that's me! And here (taking off bag from his back) .. Meet Matilda!